Human Interest: Portraits from the Whitney’s Collection

Apr 2, 2016–Apr 2, 2017

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Inspired by progressive politics and the advent of portable high-speed cameras, early-twentieth-century photographers took to the streets. They focused their lenses on ordinary city dwellers and cast off the artificial conventions of studio photography in favor of spontaneous expression, resulting in a new genre of street portraits. The works in this gallery span the twentieth century with a concentration on the 1940s to the 1960s, when urban documentary photography was at its height. Among the pioneering photographers of the mid-century years were Walker Evans, Louis Faurer, and Helen Levitt, who redefined traditional portrait photography by depicting anonymous figures in poetic moments of happenstance that lent their images the specificity of portraiture. The generation that followed, including Diane Arbus and Garry Winogrand, pushed this informality even further, capturing “found” subjects with a snapshot aesthetic tinged with Pop nonchalance. Yet some artists and critics saw the practice of photographing individuals without their consent as potentially voyeuristic or exploitative, and by the 1980s photographers such as Dawoud Bey and Jamel Shabazz had embraced a more collaborative approach, actively staging images with their subjects.

Below is a selection of works from Street Life.

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