Celebrating the World Cup 
Welcoming the world, open seven days a week this summer.

As the World Cup 2026 transforms New York City into the global capital of football, the Whitney Museum of American Art welcomes the world as a vibrant hub for art, sport, and community. Experience the landmark Whitney Biennial 2026, featuring artists from across the globe, alongside live match screenings, global sounds, and hands-on art making—all just steps from the High Line.

World Cup details


Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • Large black X-shaped geometric graphic centered on a white background with a faint vertical seam.
    Large black X-shaped geometric graphic centered on a white background with a faint vertical seam.

    Wade Guyton, Untitled, 2007. Inkjet print on linen, overall: 84 1/4 × 69 1/2 in. (214 × 176.5 cm). Whitney Museum of American Art, New York; gift of Donna and Benjamin Rosen in honor of Donna De Salvo and Scott Rothkopf 2015.322. © Wade Guyton

  • An ivory armchair engulfed in soft globular shapes.
    An ivory armchair engulfed in soft globular shapes.

    Yayoi Kusama, Accumulation, c. 1963. Sewn and stuffed fabric, wood chair frame, paint, overall: 34 5/16 × 38 15/16 × 36 5/16 in. (87.2 × 98.9 × 92.2 cm). Whitney Museum of American Art, New York; purchase 2001.342

  • A swan floats against a dreamy, colorful backdrop of sharp and fluid shapes
    A swan floats against a dreamy, colorful backdrop of sharp and fluid shapes

    Agnes Pelton, Ahmi in Egypt, 1931. Oil on canvas, overall: 36 3/16 × 24 3/16 in. (91.9 × 61.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Modern Painting and Sculpture Committee 96.175

  • A man in a leather jacket focuses as he lights a cigarette on a dimly lit street.
    A man in a leather jacket focuses as he lights a cigarette on a dimly lit street.

    Peter Hujar, David Lighting Up, 1985. Gelatin silver print, sheet (sight): 14 13/16 × 14 7/8 in. (37.6 × 37.8 cm) Image (sight): 14 5/8 × 14 3/4 in. (37.1 × 37.5 cm). Whitney Museum of American Art, New York; gift from the Emily Fisher Landau Collection 2024.284. © The Peter Hujar Archive / Artists Rights Society (ARS), New York

  • Six candid portraits show people smoking, talking, embracing, and resting in intimate indoor settings.
    Six candid portraits show people smoking, talking, embracing, and resting in intimate indoor settings.

    Nan Goldin, The Ballad of Sexual Dependency, 1979–1996. Slide installation with 690 35mm color slides, sound, 45 min. looped, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from The Charles Engelhard Foundation, the Mrs. Percy Uris Bequest, the Painting and Sculpture Committee and the Photography Committee 92.127. © Nan Goldin

  • Two abstract figures stand side by side, one holding a small object, both with neutral expressions.
    Two abstract figures stand side by side, one holding a small object, both with neutral expressions.

    Arshile Gorky, The Artist and His Mother, 1926–c. 1936. Oil on canvas, overall: 60 × 50 1/4 in. (152.4 × 127.6 cm). Whitney Museum of American Art, New York; gift of Julien Levy for Maro and Natasha Gorky in memory of their father 50.17. © The Arshile Gorky Foundation / Artists Rights Society (ARS), New York

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.