Videos
David Hammons: Day's End
The Whitney, in collaboration with Hudson River Park, has developed a permanent public art project by David Hammons (b. 1943). Entitled Day's End (2014–21), this monumental installation is located in Hudson River Park along the southern edge of Gansevoort Peninsula, directly across from the Museum. Proposed to the Whitney by Hammons, Day's End takes inspiration from an artwork of the same name by Gordon Matta-Clark (1943–78). In 1975, Matta-Clark cut five openings into the Pier 52 shed that formerly occupied the site. Hammons's Day's End is an open structure that precisely follows the outlines, dimensions, and location of the original shed—and, like Matta-Clark's intervention, it will offer an extraordinary place to experience the waterfront.
In tandem with the project's realization, the Whitney presented Around Day's End: Downtown New York, 1970–1986, an exhibition which featured works from the collection that relate to Matta-Clark's seminal project. The Whitney has also created interpretive materials including the Museum's first podcast series, Artists Among Us, as well as videos and neighborhood walking tours. This supporting media takes both Day's Ends, as envisaged by Hammons and Matta-Clark, as jumping-off points for exploring local history—of the waterfront and the Meatpacking District, the role of artists in the neighborhood, its LGBTQ history, and the ecology of the estuary. New research, archival materials, and oral history interviews will all be incorporated.
Access
View allCharles Henry Alston, The Family, 1955 | Video in American Sign Language
Jay DeFeo, The Rose, 1958–1966 | Video in American Sign Language
Simone Leigh, Cupboard VIII, 2018 | Video in American Sign Language
Introduction to Videos in American Sign Language
Jackson Pollock, Number 27, 1950 | Video in American Sign Language
Eva Hesse, No title, 1969–1970 | Video in American Sign Language
Performances
View allMichela Marino Lerman's Love Movement | Jazz on a High Floor in the Afternoon
Onyx Collective and Roy Nathanson | Jazz on a High Floor in the Afternoon
Jamire Williams with Marlon Taylor-Wiles | Jazz on a High Floor in the Afternoon
The Bandwagon at 20
Madeline Hollander: Ouroboros: Gs | Whitney Biennial 2019
Archie Shepp and Jason Moran | Jazz on a High Floor in the Afternoon
Public Programs
View allWalter Annenberg Lecture: Julie Mehretu
Ask A Curator: Julie Mehretu
Latinx Photography in the United States: Elizabeth Ferrer in conversation with Roberto Tejada
Muralism Today: Contemporary Artists Respond to Vida Americana
Around Day's End: A Conversation
SNCC: Conversation with Danny Lyon and Joyce Ladner
Whitney Stories
View allWhitney Stories: Jeffrey Gibson on Howardena Pindell
Whitney Stories: Gran Fury's Tom Kalin on Hock E Aye VI Edgar Heap of Birds
Whitney Stories: Shellyne Rodriguez on Ja’Tovia Gary
Whitney Stories: Dread Scott on Badlands Unlimited
Fast Forward: David Salle In The Studio
Fast Forward: Walter Robinson in the Studio