'Black Chord' by Louise Nevelson (1964) | Installation Timelapse | Behind the Scenes

Watch our team install Louise Nevelson's Black Chord (1964)...in 100x speed! Collection View: Louise Nevelson is now open to the public, on the 5th floor at the Whitney. 

"I see New York City as a great big sculpture," Louise Nevelson once remarked. Born in Pereiaslav, Ukraine, Nevelson (1899–1988) lived and worked in Manhattan from the 1920s through the 1980s. Known for her bold monochrome assemblages or stacked and composed found objects, Nevelson was captivated by the city's ever-changing skyline and saw creative potential in discarded materials that she scavenged throughout its streets at night. By painting these sculptures a single color (black), she cloaked the specific, identifying details of disparate objects such as duck decoys, lettuce crates, and pieces of rebar, transforming them into abstract shapes. 

Collection View: Louise Nevelson reimagines the relationship between Nevelson's work and New York, highlighting the dynamic interplay she sought to suggest in her work between motion and stillness, light and shadow, dawn and dusk. Nevelson had a long and deep relationship with the Whitney Museum, which organized her first retrospective in 1967. Today the Museum is one of the largest repositories of her work, with over ninety sculptures, drawings, and prints in the collection, many of them gifts of the artist. The works in this exhibition, which span four decades, offer a special opportunity to shine a light on this self-proclaimed “architect of shadows.” 

Collection View: Louise Nevelson is organized by Kim Conaty, Nancy and Steve Crown Family Chief Curator, with Roxanne Smith, Senior Curatorial Assistant, and Antonia Pocock, Curatorial Assistant.