Karen Kilimnik
1955–

Karen Kilimnik’s witty, fantasy-driven body of work encompasses painting, drawing, video, photography, sculpture, and installation. In Kilimnik’s universe, contemporary dancers and performers populate gothic fairy tales, and traditional genre painting—the still- life as well as pastoral and interior scenes— is revisited in disparate works that meld pop culture and history, real and imaginary.

The Hellfire Club episode of the Avengers, created in 1989 for a group exhibition in New York, is an early example of what came to be known as “scatter art,” a loosely defined approach to installation in which artists arranged photographs, found objects, and ephemera in a way that seemed casual. Kilimnik’s title refers to an episode of the popular 1960s British spy drama “The Avengers,” which was about playing practical jokes on politicians as a way to change the course of power and current events. “The Avengers” is a recurring reference in Kilimnik’s work and it embodies many of her key themes and interests: upper- class culture, female glamour, disguises, the eighteenth century, fashion, and the threat of violence. The installation’s prop-like elements together with photocopied images of the actors and other materials evoke those same themes while conjuring the atmosphere of the television show. Kilimnik sets it all to a soundtrack that collages the theme song and other audio from “The Avengers,” eighteenth-century harpsichord music, sixties tunes by the Surfaris and the Rolling Stones, and Arthur Brown’s “Fire.”

Introduction

Karen Kilimnik (born 1955) is an American painter and installation artist.

Wikidata identifier

Q513948

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Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License. Accessed November 19, 2024.



On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

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