Whitney Biennial 1993
Mar 4–June 20, 1993
The Whitney Biennial 1993 was curated by Thelma Golden, John G. Hanhardt, Lisa Phillips, and Elisabeth Sussman.
View the full exhibition catalogue at the Internet Archive.
Installation photography
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). Ida Applebroog, Marginalia series (1992); Ida Applebroog, Jack F: Forced to Eat His Own Excrement (1992); Ida Applebroog, Kathy W.: Is Told that If She Tells Mommy Will Get Sick and Die (1992). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Miguel Gandert, La Frontera: A Way to Survive series (1991); Ray Charles, Family Romance (1992–93); Miguel Gandert, Tierra O Muerte series (1988). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Lari Pittman, Untitled #9 (A Decorated Chronology of Insistence & Resignation) (1992–93); Lari Pittman, Untitled #1, (A Decorated Chronology of Insistence and Resignation) (1992). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Suzanne McClelland, Right (1992); Suzanne McClelland, Right (1992); Suzanne McClelland, Right (1992); Floor: Janine Antoni, Chocolate Gnaw (1992); Janine Antoni, Lard Gnaw (1992). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Francesc Torres, Triptych #29 (Newsweek Series) (1992); Francesc Torres, Triptych #27 (Newsweek Series) (1992); Francesc Torres, Trojan Horse (1992–93). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Donald Moffet, Gays in the Military series: Nom de Guerre: La Treen (1991); Donald Moffet, Nom de Guerre: Poo Poo Platter (1991); Donald Moffet, Nom de Guerre: Trigger (1991); Donald Moffet, Nom de Guerre: Truffles (1991); Donald Moffet, Target (1993). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right, back wall: Leone & Macdonald (Hillary Leone and Jennifer Macdonald), Sex Studies: I’m Sure This is False. I think It Might be False. I Don’t know. I think this Maybe True, I’m Sure this is True (1993); Leone & Macdonald (Hillary Leone and Jennifer Macdonald), Untitled (Maze) (1993). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right, back wall: Leone & Macdonald (Hillary Leone and Jennifer Macdonald), Sex Studies: I’m Sure This is False. I think It Might be False. I Don’t know. I think this Maybe True, I’m Sure this is True (1993); Leone & Macdonald (Hillary Leone and Jennifer Macdonald), Untitled (Maze) (1993); Leone & Macdonald (Hillary Leone and Jennifer Macdonald), Sex Studies: More Than Once a Week. Once a Week. 2-3 times a Month, Several Times a Year. Once a Year or Less. Never (1993). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Sue Williams, The Sweet & Pungent Smell of Success (1993); Sue Williams, Irresistible (1992); Sue Williams, It’s a New Age (1992); Sue Williams, Are Your Pro Porn or Anti-Porn? (1992). Photograph by Geoffrey Clements
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Installation view of the 1993 Biennial Exhibition (Whitney Museum of American Art, New York, February 24–June 20, 1993). From left to right: Michael Joaquin Grey and Randolph Huff, (4-3-2-1): ( 1-2-3-4) Syntax (1992); Michael Joaquin Grey and Randolph Huff, Carbon Codex (3rd Generation) (1992); Michael Joaquin Grey and Randolph Huff, Medusa Movement, State 1,2,3 (3D Neutral Network) (1992); Michael Joaquin Grey and Randolph Huff, Jelly Locomotion (Flagella) (1992). Photograph by Geoffrey Clements
More from this series
Learn more about the Whitney Biennial, the longest-running survey of American art.