Jerry N. Uelsmann
1934–2022

Introduction

Jerry Norman Uelsmann (June 11, 1934 – April 4, 2022) was an American photographer.

As an emerging artist in the 1960s, Jerry Uelsmann received international recognition for surreal, enigmatic photographs (photomontages) made with his unique method of composite printing and his dedication to revealing the deepest emotions of the human condition. Over the next six decades, his contributions to contemporary photography were firmly established with important exhibitions, prestigious awards and numerous publications. Among his awards were a Guggenheim Fellowship, National Endowment, Royal Photographic Society Fellowship, and Lucie Award.

Uelsmann described his creative process as a journey of discovery in the darkroom (visual research laboratory). Going against the established practice of previsualization (Ansel Adams, Edward Weston and others), he coined a new term, post-visualization. He decided the contents of the final print after rather than before pressing the shutter button. Uelsmann constructed his dreams like a visual poet with results that often seemed emotionally more real than the factual world. By the 1980s he became one of the most collected photographers in America. His work influenced generations of both analog and digital photographers. Although he admired digital photography, he remained completely dedicated to the alchemy of film photography in the black and white darkroom.

Wikidata identifier

Q1285072

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Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License . Accessed December 5, 2024.

Roles

Artist, photographer

ULAN identifier

500095150

Names

Jerry Uelsmann, Jerry N. Uelsmann

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Information from the Getty Research Institute's Union List of Artist Names ® (ULAN), made available under the ODC Attribution License. Accessed December 5, 2024.



On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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