Human Interest: Portraits from the Whitney’s Collection

Apr 2, 2016–Apr 2, 2017

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The nude is one of the most time-honored subjects in Western art, but for centuries it was used to depict unnamed generic figures or mythological subjects rather than specific individuals. Since the turn of the twentieth century, however, artists have increasingly challenged this convention by producing frank, highly particular nudes, often with the sitters identified in the works’ titles. From Joan Semmel’s monumental self-portrait in bed with a lover to John Coplans’s unflinching document of his aging body, most of these works subvert expectations about how a nude should look, pose, and engage the viewer. Photographs by Katy Grannan, and Catherine Opie, among others, unabashedly question cultural assumptions about gender, beauty, and power, giving voice to groups and individuals who are often marginalized by both the traditions of portraiture and mainstream American culture. By transforming nudity from a classical ideal into something decidedly personal, contemporary, and idiosyncratic, these artists compel us to confront the complex and often contradictory feelings elicited by the human body: fascination and repulsion, pleasure and shame, freedom and inhibition.

Below is a selection of works from Body Bared.

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Collier Schorr’s photographic portraits often explore facets of identity, including gender, sexuality, and nationality. Here the young subject’s apparent innocence is complemented by the pastoral German landscape and the Kirschbaum (cherry tree) that frames his adolescent body—but it is complicated by the military connotations of his camouflage pants, the pattern of which is mimicked on his face and upper body by the shadows from the leaves above. This complexity suggests Schorr’s interest in the relationship between contemporary Germany and the past atrocities of Nazism, and in the taboos that restrict the patriotic expressions of Germans today.

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Human Interest: Portraits from the Whitney’s Collection

Body Bared

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HERBERT, WEEKEND LEAVE (A CONSCRIPT RATED T1), KIRSCHBAUM, 2001

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Explore works from this exhibition
in the Whitney's collection

On the Hour

Human Interest: Portraits from the Whitney’s Collection

Body Bared

10

HERBERT, WEEKEND LEAVE (A CONSCRIPT RATED T1), KIRSCHBAUM, 2001

Artists

Explore works from this exhibition in the Whitney's collection

Explore works from this exhibition
in the Whitney's collection