Whitney Biennial 2026 | Art & Artists

Through Aug 23


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Agosto Machado (he/him)

38

Coming of age in New York in the 1960s, Agosto Machado self-identified as a “street queen.” At the height of the city’s AIDS crisis, he acted as a caregiver—and unofficial archivist—for many of his peers. The shrines and altars he made from the materials he collected express his gratitude for the love and generosity of his queer community.

Creciendo en Nueva York en la década de 1960, Agosto Machado se autoidentificaba como una “reina de la calle”. En la cúspide de la crisis de SIDA en la ciudad, participó brindando cuidados (y como archivista no oficial) para personas de su círculo cercano. Los altares y santuarios que creó a partir de materiales recolectados expresan su gratitud al amor y la generosidad de su comunidad queer.

Downtown (Altar), 2024

A round tray displays a papier-mâché mask, devotional image, mixed trinkets, and a small book titled Theatre of the Ridiculous.
A round tray displays a papier-mâché mask, devotional image, mixed trinkets, and a small book titled Theatre of the Ridiculous.

Agosto Machado, Downtown (Altar), 2024. Pins, matchbooks, mirror, and papier-mâché; plastic and metal objects; book (Theater of the Ridiculous), photograph, jewelry, banana-flavored straw packets, New York City subway tokens; and original artworks by Arch Connelly, Thomas Lanigan-Schmidt, and Gilda Pervin, 19 × 20 × 20 in. (48.3 × 50.8 × 50.8 cm). Collection of Jane Hait. © Agosto Machado. Image courtesy the artist and Gordon Robichaux, NY. Photography by Greg Carideo 

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

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