Whitney Biennial 2026 | Art & Artists

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José Maceda (he/him)

37

Artist and curator Aki Onda presents Ugnayan (1974), music for twenty radios composed by José Maceda. Maceda wrote a fifty-one-page score, created separate reel-to-reel recordings of singers and musicians playing gongs and Filipino bamboo instruments, and worked with radio stations across Manila to play the tracks simultaneously. Blanketing the city in sound waves, Maceda’s composition returned music from the concert hall to everyday life.

Aki Onda, artista y curador presenta Ugnayan (1974), música compuesta por José Maceda para veinte estaciones de radio. Maceda escribió una partitura de cincuenta y un páginas, creó grabaciones separadas en cinta abierta de cantantes y músicos tocando gongs e instrumentos filipinos de bambú, y trabajó con estaciones de radio alrededor de Manila para reproducir las pistas simultáneamente. Cubriendo la ciudad en olas sonoras, la composición de Maceda devuelve la música de la sala de conciertos a la vida diaria.

Ugnayan, 1974/2026

Several vintage radios and boomboxes displayed on white stepped platforms in a gallery by tall windows.
Several vintage radios and boomboxes displayed on white stepped platforms in a gallery by tall windows.
Installation view of Whitney Biennial 2026 (Whitney Museum of American Art, March 8–August 2026). José Maceda and Aki Onda, Ugnayan, 1974/2026. Photograph by Darian DiCanno/BFA.com. © BFA 2026

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