Where We Are: Selections from the Whitney’s Collection, 1900–1960 | Art & Artists

Apr 28, 2017–June 2, 2019


Exhibition works

5 total
No One Exists Alone
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No One Exists Alone


A painting of 4 people in an abstracted space.
A painting of 4 people in an abstracted space.

Charles Henry Alston, The Family, 1955. Oil on canvas, 48 3/16 × 35 13/16 in. (122.4 × 91 cm). Whitney Museum of American Art; purchase, with funds from the Artists and Students Assistance Fund 55.47

No One Exists Alone

The subjects of family and community took new prominence during a period when migration became a hallmark of the American experience. Artists such as John Steuart Curry and Arshile Gorky used painting to conjure people and formative experiences from childhood. Curry evoked the rural Kansas of his youth, while Gorky painted the mother he lost in the Armenian genocide. Other artists, like James Van Der Zee, created pictures during the Harlem Renaissance that, countering a history of racist depictions, show the dignity of Black families and communities. PaJaMa (the name assumed by Paul Cadmus, Jared French, and Margaret French for their collaborative photographs) gave visibility to queer relationships that continue, in our time, to demonstrate the commonality of love and to enrich our understanding of what family and community mean.

A painting of 4 people in an abstracted space.
A painting of 4 people in an abstracted space.

Charles Henry Alston, The Family, 1955. Oil on canvas, 48 3/16 × 35 13/16 in. (122.4 × 91 cm). Whitney Museum of American Art; purchase, with funds from the Artists and Students Assistance Fund 55.47

Charles Henry Alston, The Family, 1955

Archibald J. Motley Jr. (1891-1981), Gettin’ Religion, 1948. Oil on canvas, 40 x 48 3/8 in. (101.6 x 122.9 cm). Whitney Museum of American Art, New York; purchase, Josephine N. Hopper Bequest, by exchange 2016.15

Archibald J. Motley Jr., Gettin’ Religion, 1948

Fairfield Porter, Portrait of Ted Carey and Andy Warhol, 1960. Oil on linen, 40 × 40 1/8 in. (101.6 × 101.9 cm). Whitney Museum of American Art, New York; gift of Andy Warhol 74.117 © 2018 The Estate of Fairfield Porter/Artists Rights Society (ARS), New York, NY

Fairfield Porter, Portrait of Ted Carey and Andy Warhol, 1960

John Steuart Curry (1897 1946). Baptism in Kansas, (1928). Oil on canvas, 40 1/4 × 50 1/4in. (102.2 × 127.6 cm). Whitney Museum of American Art, New York; gift of Gertrude Vanderbilt Whitney 31.159

Young boy standing next to a seated woman
Young boy standing next to a seated woman

Arshile Gorky, The Artist and His Mother, 1926-c. 1936. Oil on canvas, 60 × 50 1/4 in. (152.4 × 127.6 cm). Whitney Museum of American Art; gift of Julien Levy for Maro and Natasha Gorky in memory of their father 50.17 © 2017 The Arshile Gorky Foundation/Artists Rights Society (ARS), New York, NY

PaJaMa, Chuck Howard and Ted Starkowski, 1953. Gelatin silver print, 8 15/16 × 7 7/16 in. (22.7 × 18.9 cm). Whitney Museum of American Art, New York; promised gift of Jack Shear P.2017.3. All rights reserved, Paul Cadmus, Licensed by VAGA, New York, N.Y. Jared and Margaret French

PaJaMa, Chuck Howard and Ted Starkowski, 1953

Installed as part of an earlier version of the exhibition.

Paul Cadmus (1904-1999), The Bath, 1951. Tempera on composition board, 14 5/16 × 16 5/16 in. (36.4 × 41.4 cm).Whitney Museum of American Art, New York; gift of an anonymous donor 64.40 Art © Jon F. Anderson, Estate of Paul Cadmus/Licensed by VAGA, New York, NY

Paul Cadmus, The Bath, 1951


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On the Hour

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Frank WANG Yefeng, The Levitating Perils #2

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