Sixties Surreal | Art & Artists

Through Jan 19


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Body Ego

3

The works on view here are composed of forms and materials that evoke the sensual feelings of having and exploring a body of flesh and bones—from the erotic to the anxious. Many of the artists were featured in two 1967 exhibitions: Eccentric Abstraction in New York and Funk in Berkeley, California. Eccentric Abstraction, curated by Lucy Lippard, presented artists, including Bruce Nauman, Don Potts, Louise Bourgeois, and Eva Hesse, whose work was rigorously abstract yet retained a sensuous quality. The artists whose work was shown by the curator Peter Selz in Funk, among them Jeremy Anderson, Ken Price, and Franklin Williams, were more explicit in their references to guts, fingers, and anthropomorphic forms. The objects the Funk artists produced may seem innocuous at first glance, but the subtle protrusions and openings of works such as Ken Price’s S. L. Green (1963) or Franklin Williams’s Untitled (1966) evoke both the anxieties and the ecstasies of our physical being. Looking beyond these historic exhibitions, this gallery brings together artists from across the country who worked with unorthodox materials to create objects of embodied abstraction.

Jeremy Anderson, Riverrun, 1965

Made from redwood and pine found in the artist's Northern California backyard, Jeremy Anderson's Riverrun was inspired by his fascination with intestinal forms, medical school models, and the elongated figures in old comic books like Plastic Man (1941–56) and Powerhouse Pepper (1942–48). The tubular form at the center of this sculpture reflects Anderson's interest in combining the bodily and the geological, echoing his mystical interest in being one with nature. Anderson shares connections with many artists in this gallery: his work was included in the 1967 Funk exhibition, and his first New York exhibition was a two-person show with Louise Bourgeois in 1952.


Artists

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.