Sixties Surreal | Art & Artists

Through Jan 19


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Body Ego

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The works on view here are composed of forms and materials that evoke the sensual feelings of having and exploring a body of flesh and bones—from the erotic to the anxious. Many of the artists were featured in two 1967 exhibitions: Eccentric Abstraction in New York and Funk in Berkeley, California. Eccentric Abstraction, curated by Lucy Lippard, presented artists, including Bruce Nauman, Don Potts, Louise Bourgeois, and Eva Hesse, whose work was rigorously abstract yet retained a sensuous quality. The artists whose work was shown by the curator Peter Selz in Funk, among them Jeremy Anderson, Ken Price, and Franklin Williams, were more explicit in their references to guts, fingers, and anthropomorphic forms. The objects the Funk artists produced may seem innocuous at first glance, but the subtle protrusions and openings of works such as Ken Price’s S. L. Green (1963) or Franklin Williams’s Untitled (1966) evoke both the anxieties and the ecstasies of our physical being. Looking beyond these historic exhibitions, this gallery brings together artists from across the country who worked with unorthodox materials to create objects of embodied abstraction.

Franklin Williams, Untitled and Untitled, 1966 and 1967

A soft, green, fuzzy object with a blue ribbon and a section of colorful beads and netting.
A soft, green, fuzzy object with a blue ribbon and a section of colorful beads and netting.

Franklin Williams, Untitled, 1967. Acrylic, crochet thread, and yarn on canvas stuffed with cotton batting, over wooden support, 20 × 20 × 9 in. (50.8 × 50.8 × 22.9 cm). Collection of Franklin Williams; courtesy Parker Gallery, Los Angeles, and Garth Greenan Gallery, New York. © Franklin Williams

Franklin Williams used cast-off materials from a hospital in Oakland to create his painted, stitched, and crocheted sculptures. Somewhere between a pillow, a horseshoe crab, and an intestinal extraterrestrial, Williams's Untitled came from his lifelong engagement with craft and poetics. Williams grew up in Utah and was part of a family of prolific crafters, especially knitting, crocheting, and quilting—all of which Williams was well-versed in by the age of eight. In Oakland he developed a language that combined his skills and familial memories with the material-based work proliferating around him, an evolution that led to his inclusion in the 1967 exhibition Funk.


Artists

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.