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Edward Hopper

Early Sunday Morning
1930

On view
Floor 7

Date
1930

Classification
Paintings

Medium
Oil on canvas

Dimensions
Overall: 35 3/16 × 60 1/4in. (89.4 × 153 cm)

Accession number
31.426

Credit line
Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney

Rights and reproductions
© Heirs of Josephine N. Hopper/Licensed by Artists Rights Society (ARS), New York

Early Sunday Morning is one of Edward Hopper’s most iconic paintings. Although he described this work as "almost a literal translation of Seventh Avenue," Hopper reduced the New York City street to bare essentials. The lettering in the window signs is illegible, architectural ornament is loosely sketched, and human presence is merely suggested by the various curtains differentiating discrete apartments. The long, early morning shadows in the painting would never appear on a north-south street such as Seventh Avenue. Yet these very contrasts of light and shadow, and the succession of verticals and horizontals, create the charged, almost theatrical, atmosphere of empty buildings on an unpopulated street at the beginning of the day. Although Hopper is known as a quintessential twentieth-century American realist, and his paintings are fundamentally representational, this work demonstrates his emphasis on simplified forms, painterly surfaces, and studiously constructed compositions.






Sunrise

Sunset

A 30-second online art project:
LaTurbo Avedon, Morning Mirror / Evening Mirror

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