John Steuart Curry
1897–1946

Though John Steuart Curry left his family’s farm to pursue a career as a painter on the East Coast, he returned to his Midwestern roots as subjects for his art. Baptism in Kansas, his first major painting, portrays two fundamental elements the artist associated with his upbringing: the hardscrabble landscape of his native Kansas and the religious fervor of its inhabitants. (Curry proudly avowed that he was “raised on hard work and the Shorter Catechism.”) Based on a baptism Curry witnessed on a neighbor’s farm, the painting sets the ceremony around a cattle trough amid several farm buildings, with the stark prairie landscape receding into the background. At the scene’s center, surrounded by pious worshippers singing hymns, a young woman is about to be submerged into the water by an ashen-faced preacher. The image is filled with modern details, such as the line of Model-T cars and the cattle trough, a symbol of the deep-water drilling techniques that had made the state farmable. Yet the pair of birds hovering in an aureole of light over the scene—a raven and a dove, the birds Noah released after the Flood— suggests a divine, timeless significance in the survival of these hardy individuals amid their harsh environment.

When Baptism in Kansas was first shown in 1928, critics hailed it as a departure from the abstract language and urban themes employed by American modernists. Curry’s vision of an idealized American heartland signaled the emergence of Regionalism, a nationalistic, narrative style of painting that glorified rural, homespun values during the hardships of the Great Depression.

Wikipedia entry

Introduction

John Steuart Curry (November 14, 1897 – August 29, 1946) was an American painter whose career spanned the years from 1924 until his death. He was noted for his paintings depicting rural life in his home state, Kansas. Along with Thomas Hart Benton and Grant Wood, he was hailed as one of the three great painters of American Regionalism of the first half of the twentieth century. Curry's artistic production was varied, including paintings, book illustrations, prints, and posters.

Curry was Kansas's best-known painter, but his works were not popular with Kansans, who felt that he did not portray the state positively. Curry's paintings often depicted farm life and animals, tornadoes, prairie fires, and the violent Bleeding Kansas period (featuring abolitionist John Brown, who at the time was derided as a fanatical traitor) – subjects that Kansans did not want to be representative of the state. Curry was commissioned to create murals for the Kansas State Capitol, and he completed two: Kansas Pastoral, and his most famous and controversial work, Tragic Prelude, which he considered his greatest. Reaction was so negative that the Kansas Legislature passed a measure to keep them, or future works of his, from being hung on the capitol walls. As a result, Curry did not sign the works, which were not hung during his lifetime. He left Topeka in disgust; his planned eight smaller murals for the Capitol rotunda on the first floor never went beyond sketches, now held by the Kansas Museum of History.

Curry's works were painted with movement, which was conveyed by the free brush work and energized forms that characterized his style. His control over brushstrokes created excited emotions such as fear and despair in his paintings. His fellow Regionalists, who also painted action and movement, influenced Curry's style.

Wikidata identifier

Q3290532

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Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License . Accessed December 25, 2024.

Getty record

Introduction

Along with Grant Wood and Thomas Hart Benton, Curry was considered one of the main proponents of Regionalism, which favored American indigenous themes and subjects. Curry, after studying in Chicago and Paris, began depicting rural life in Kansas, in both painting and murals. He was artist-in-residence from 1936-1946 at the University of Wisconsin. In 1937, he received a hostile reception after he was commissioned to paint murals for the Kansas State Capitol building. The project was never finished. American Regionalist painter, Kansas. Comment on works: Landscapes

Country of birth

United States

Roles

Artist, illustrator, muralist, painter

ULAN identifier

500115503

Names

John Steuart Curry, Curry, John Stewart Curry, John-Stuart Curry, John Stuart Curry

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Information from the Getty Research Institute's Union List of Artist Names ® (ULAN), made available under the ODC Attribution License. Accessed December 25, 2024.

On view
Floor 7

First acquired
1931

API
artists/310