Edges of Ailey

Sept 25, 2024–Feb 9, 2025


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Ailey’s Influences

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Edges of Ailey includes selections of ephemera and moving images from a sweeping range of sources across dance, theater, music, and literature from which Alvin Ailey drew inspiration. Luminaries of modern dance such as Carmen de Lavallade, Katherine Dunham, Martha Graham, Geoffrey Holder, Lester Horton, Pearl Primus, and Ted Shawn served as his mentors, collaborators, and examples. The dazzling scenes of Broadway, Hollywood, and theater—especially his acting teacher Stella Adler and the choreography of Jack Cole—informed his distinct sense of theatricality and the glint of entertainment in his dances. Additionally, an eclectic combination of literature, poetry, and music, from James Baldwin, Langston Hughes, and Albert Murray, to Hart Crane, Carson McCullers, Henry Miller, and Tennessee Williams, to Alice Coltrane, Duke Ellington, Donny Hathaway, and Laura Nyro, offered him a creative continuum to absorb and build upon.

Carl Van Vechten, Alvin Ailey, 1955

Dancer with legs crossed against multicolor curtain.
Dancer with legs crossed against multicolor curtain.

Carl Van Vechten, Alvin Ailey, 1955. Kodachrome color slide, 2 × 2 in. (5.1 × 5.1 cm). Beinecke Rare Book and Manuscript Library, Yale University. ©️ Van Vechten Trust


Artists

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.