At the Dawn of a New Age: Early Twentieth-Century American Modernism

May 7, 2022–Feb 26, 2023


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Stanton Macdonald-Wright

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Born 1890 in Charlottesville, VA
Died 1973 in Los Angeles, CA

Like many American artists during this time, Stanton Macdonald-Wright encountered modern art firsthand in Paris. By 1913, he had teamed up with Morgan Russell, a fellow American expat, to create a movement they called Synchromism, a conflation of “symphony” and “chroma.” As the name suggests, the two artists considered painting to be a synesthetic form of color-music that could induce emotional responses without the need for narrative or literal representation. Moreover, they used the spatial properties of color to create the impression of three-dimensionality on the two-dimensional canvas. At first, Macdonald-Wright’s Synchromist works were abstract compositions of pure color. Gradually, he began to introduce semi-abstract figurative imagery, as in this painting, whose twisting, three-dimensional forms he said represented a group of opium smokers. Like many Europeans and Americans at the time, the artist associated opium use with Asia and the Middle East, perhaps prompting the title Oriental - Synchromy in Blue-Green (which refers to a broad regional designation that is now considered dated).

Oriental - Synchromy in Blue-Green, 1918

A vibrant abstract painting featuring a dynamic composition of overlapping and intersecting shapes and planes in a variety of colors including shades of blue, orange, red, and yellow, with subtle textural details suggesting depth and movement.
A vibrant abstract painting featuring a dynamic composition of overlapping and intersecting shapes and planes in a variety of colors including shades of blue, orange, red, and yellow, with subtle textural details suggesting depth and movement.

Stanton Macdonald-Wright, Oriental - Synchromy in Blue-Green, 1918. Oil on linen, overall: 36 1/8 × 50 in. (91.8 × 127 cm). Whitney Museum of American Art, New York; purchase 52.8. © 2010 Macdonald-Wright Estate


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