At the Dawn of a New Age: Early Twentieth-Century American Modernism

May 7, 2022–Feb 26, 2023


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E.E. Cummings

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Born 1894 in Cambridge, MA
Died 1962 in North Conway, NH

Although best known as a poet, E.E. Cummings was committed to painting and poetry equally, calling them his “twin obsessions.” Moving to New York in 1917 after graduating from Harvard University, he set out to establish himself as a modernist in both fields. He began publishing line drawings and caricatures in the influential literary magazine The Dial and independently studying the latest trends in painting. Inspired by the 1916 Forum Exhibition of Modern American Painters and by the theories of Morgan Russell and Stanton MacDonald-Wright regarding the parallels between color and music, Cummings began using spiraling color planes to create visual equivalents of sound. These works, which he called his Sound and Noise paintings, were favorably received and were included in exhibitions at the Society of Independent Artists. In 1921, he left New York for a three-year sojourn in Paris. Shortly after returning in December 1924 and painting Noise Number 13, he adopted a more representational style. Cummings continued painting and writing for the remainder of his life, but his post-1925 work was rarely exhibited and his poetry came to overshadow his visual art, which was seen merely as a footnote to his writing career. 

Noise Number 13, 1925

Abstract painting with swirling shapes and vibrant colors, featuring circles and geometric patterns.
Abstract painting with swirling shapes and vibrant colors, featuring circles and geometric patterns.

E.E. Cummings, Noise Number 13, 1925. Oil on canvas, overall: 59 5/8 × 42 3/4 in. (151.4 × 108.6 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 93.98


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