At the Dawn of a New Age: Early Twentieth-Century American Modernism

May 7, 2022–Feb 26, 2023


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Agnes Pelton

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Born 1881 in Stuttgart, Germany
Died 1961 in Cathedral City, CA

Agnes Pelton was born in Germany to American parents. As a teenager, she studied with Arthur Wesley Dow at Brooklyn’s Pratt Institute. Her artistic breakthrough came in the mid-1920s in a series of abstract paintings depicting incorporeal subject matter such as air, light, water, and sound. In the decades that followed, as she began to immerse herself in the study of esoteric and occult philosophies, her imagery evolved. She paired the emotive power of ethereal abstract forms with mystical symbols such as stars, mountains, and fire to represent the union with “Divine Reality” that she experienced in dreams and meditation. Pelton was among those artists who believed color could speak directly to the soul. She constructed her compositions out of multiple layers of smooth, thin glazes of paint that created delicate, shimmering veils of color. Living away from the mainstream art world for most of her career, Pelton received little encouragement for her abstract paintings. Her greatest support came between 1938 and 1942 from artists in the short-lived Transcendental Painting Group of New Mexico who shared her beliefs. Not until the 1980s did her efforts to depict “windows of illumination” onto the spiritual world posthumously receive the wider art world’s attention.

Sea Change, 1931

Abstract shapes in green and blue with a glowing white orb against a bright blue background.
Abstract shapes in green and blue with a glowing white orb against a bright blue background.

Agnes Pelton, Sea Change, 1931. Oil on canvas, overall: 20 1/8 × 28 3/8 in. (51.1 × 72.1 cm). Whitney Museum of American Art, New York; gift of Lois and Irvin Cohen 99.64


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