Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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B. Ingrid Olson

44

Floor 6

Born 1987 in Denver, CO
Lives in Chicago, IL

This installation intermixes two series, Dura Pictures and Indexes. Each work in the Dura Pictures series presents one photographic image physically embedded within another, what the artist describes as placing a “moment in time within a different moment in time, just like memory does of the past in the present.” The photographs were made in the artist’s studio and record B. Ingrid Olson’s own performative interactions with handmade props and assorted materials, such as mirrors or printed matter set within constrictive ad hoc spaces. The images alternate between showing a first-person vantage point with a torso or toes breaking into the picture plane, and offering a mirrored reflection of the artist, often only partially seen.

Proto Coda, Index is a single artwork with thirty constituent parts—each is a replica of one of the thirty reliefs made by the artist between 2016 to 2022. With concave interior surfaces and irregular hanging heights, the forms each suggest a container for a specific body part, like a piece of armor or a casting mold. The reliefs mark the entire length of the wall, serving as placeholders for an absent body, both fractured and multiplied.

Proto Coda, Index, 2016–22

Art gallery wall with photographs and beige abstract sculptures casting shadows.
Art gallery wall with photographs and beige abstract sculptures casting shadows.

Installation view of Whitney Biennial 2024: Even Better Than the Real Thing (Whitney Museum of American Art, New York, March 20, 2024–August 11, 2024). B. Ingrid Olson, from the series Proto Coda, Index, 2016–22

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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