Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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P. Staff (they/them)

57

Floor 6

Born 1987 in the UK
Lives in Los Angeles, CA

Early in their career as an artist, P. Staff worked as a choreographer. A sense of live encounter remains important in the work on view, as does the idea of experiencing a work of art with the whole body. Their installation’s title, Afferent Nerves, refers to the nerve fibers that channel sensory information from the outside world into the brain, bringing touch, temperature, and pain to the central nervous system— an idea that reimagines the gallery as a kind of body, permeated here by a sense of danger.

Staff bathes the installation in an acidic yellow light. A live electrical net hangs above the gallery, out of reach but audibly buzzing, suggesting the possibility of a physical shock. A photographic self- portrait of the artist on the far wall shows their hands covering their face in a gesture suggestive of suffering or retreat. Staff has described the aesthetic of their work as relating to “a particular trans mode of being that exists in the tension between dissociation and hypervigilance.”

Afferent Nerves and A Travers Le Mal, 2023

A room with yellow walls and ceiling, a net hanging below white lights, and a herringbone wood floor leading to an open door.
A room with yellow walls and ceiling, a net hanging below white lights, and a herringbone wood floor leading to an open door.

P. Staff, Afferent Nerves and A Travers Le Mal, 2023 (installation view, Kunsthalle Basel). Courtesy the artist and Kunsthalle Basel. Photograph by Philipp Hänger

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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