Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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Yasmine Anlan Huang 

21

Film

Born 1996 in Guangzhou, China
Lives in London, UK, and New York, NY

In her video, Yasmine Anlan Huang meets the viewer’s gaze with a single static-camera shot of a human eye. Reflected in its black pupil is a ghostly white figure dancing in slow motion, and the eye steadily reveals itself to be a stage for Huang’s autobiographical theater. The narrator is a fictional persona voiced by the artist—a distancing technique that allows the artist to express ambivalence. The voice recounts a teenage dream of becoming an idol in the Japanese entertainment industry—a dream of love shared and reciprocated. As the narration draws to an end, the dancing figure bleeds beyond the iris and, for the first time, enters the white of the eye and dissolves abruptly, leaving the viewer to question its fate.

Her Love is a Bleeding Tank, 2020

Close-up of a human eye with a reflection of a bride, captioned with a longing quote.
Close-up of a human eye with a reflection of a bride, captioned with a longing quote.

Yasmine Anlan Huang, still from Her Love is a Bleeding Tank, 2020. Video, color, sound; 5:31 min. © Yasmine Anlan Huang

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

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