Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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Eamon Ore-Giron (he/him)

45

Floor 5

Born 1973 in Tucson, AZ
Lives in Los Angeles, CA

These three paintings are part of Eamon Ore-Giron’s Talking Shit series, in which he reimagines deities from ancient Peruvian and Mexican cultures. Reflecting on a famous sculpture of the Aztec goddess Coatlicue, the poet Octavio Paz (1914–1998) traced an evolution from “goddess to demon, from demon to monster, and from monster to masterpiece.” This line of thinking resonated with Ore-Giron, who recognized that symbolic figures are continuously reimagined as cultures shift and collective and personal identities are redefined. The series title Talking Shit reflects the artist’s desire to explore this idea and a living ancestral past in ways that are open, informal, and personal.

In these works, Ore-Giron focuses on Andean folklore. He has pictured Amaru, a powerful, protean creature related to water and the underworld, as a zigzagging abstracted dragon. To depict the mythological rainbow made by the creation god Viracocha, Ore-Giron represented the celestial phenomenon as a double-headed snake moving through the sky.

Talking Shit with Amaru (Wari), 2023

Abstract geometric artwork with colorful shapes and patterns on a beige background.
Abstract geometric artwork with colorful shapes and patterns on a beige background.

Eamon Ore-Giron, Talking Shit with Amaru (Wari), 2023. Mineral paint and Flashe on canvas, 84 x 60 in. (213.4 x 152.4 cm). Private Collection, Wyoming. © Eamon Ore-Giron, 2024. Courtesy the artist and James Cohan, New York. Photo Charles White / jwpictures.com

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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