Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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Seba Calfuqueo (she/her/they/them)

5

Floor 6

Born 1991 in Santiago, Chile
Lives in Ngulumapu, Wallmapu (Chile)

TRAY TRAY KO invites viewers to embark on a journey into the heart of Mapuche cosmology through a video performance in which the artist interweaves her own body into a sacred landscape. The Mapuche people have lived in the south-central regions of Chile and Argentina for thousands of years, and they hold that the flow of water—especially waterfalls—brings with it medicinal and healing properties. Draped in an electric blue fabric, the artist acts as a conduit between the tangible and the spiritual, blurring the boundaries between human form and natural elements. This meditation on fluidity, literal and symbolic, also works against other perceived binaries, including that of gender. By highlighting the interconnectedness of her own personhood and the landscape, Seba Calfuqueo resists dominant forces that threaten the area, including the Chilean government’s efforts to destroy Indigenous homelands for commercial use, and situates her own identity as a trans person within the natural world.

TRAY TRAY KO, 2022

Aerial view of a person lying on a hammock over a lush forest with a river running below.
Aerial view of a person lying on a hammock over a lush forest with a river running below.

Seba Calfuqueo, still from TRAY TRAY KO, 2022. HD video, color, sound; 6 min. © Seba Calfuqueo. Courtesy the artist. Photograph by Sebastian Melo

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.