Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


All

4 / 69

Previous Next

Dora Budor

4

Floor 5

Born 1984 in Zagreb, Croatia
Lives in New York, NY

In Lifelike, Dora Budor explores Hudson Yards and its surrounding areas, the largest and most expensive private real estate development in American history, which opened in 2019 about a mile north of the Whitney. A gimbal-mounted iPhone captures the shimmering sites while a vibrating pleasure device attached to the camera disturbs their serenity, suggesting an alienation commonly experienced in cities increasingly dominated by corporate architecture and gentrification.

In Dominoes, large industrial rolls of abrasive cloths intended to remove a surface or lift a veneer become the ground for an image built up from placebo tablets rubbed onto the walls and floor of the artist’s studio. This process resembles that of automatic drawing, an improvisatory form developed by the Surrealists, who saw it as a means of revealing the unconscious. Just as the marks make the interior surfaces of the studio visible, they also point to the relationship between architecture and the unconscious.

Lifelike, 2024

A large stone block on a wooden floor with a blurred photo of a sculpture leaning against a wall in a gallery.
A large stone block on a wooden floor with a blurred photo of a sculpture leaning against a wall in a gallery.

Installation view of Whitney Biennial 2024: Even Better Than the Real Thing (Whitney Museum of American Art, New York, March 20- August 11, 2024). Dora Budor, Lifelike, 2024. Photograph by Ron Amstutz

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.