Vida Americana: Mexican Muralists Remake American Art, 1925–1945 | Art & Artists

Feb 17, 2020–Jan 31, 2021


Exhibition works

8 total
Romantic Nationalism and the Mexican Revolution
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Romantic Nationalism and the Mexican Revolution


A painting of a person holding many flowers in front of three kneeling people.
A painting of a person holding many flowers in front of three kneeling people.

Diego Rivera, Flower Festival: Feast of Santa Anita, 1931. Encaustic on canvas, 78 1/2 × 64 in. (199.3 × 162.5 cm). The Museum of Modern Art, New York; gift of Abby Aldrich Rockefeller, 1936. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, New York

Romantic Nationalism and the Mexican Revolution

In an effort to unify Mexico after ten years of civil war, the country’s new government sought to construct a shared understanding of Mexican identity and national history. Central to this was the celebration of rural Mexico’s landscape, customs, and people—a sharp repudiation of the veneration of European culture that had existed among Mexico’s ruling class before the revolution. Mexican artists began to portray the country’s Indigenous and largely agrarian population as symbols of national pride and to depict Emiliano Zapata, who led the people’s heroic fight for land reform, as the defining hero of postrevolutionary Mexico. From a contemporary perspective, the idealized portraits of Mexico’s Indigenous peoples created by both Mexican artists and those visiting from abroad may be seen as having reduced their subjects to stereotypes that reinforce their marginalized status within a social system that privileged European heritage. At the time, however, painters, photographers, and filmmakers embraced a romanticized vision of rural Mexico as the embodiment of a simpler, more spiritually authentic way of living in contrast to the alienation and isolation of modern urban and industrial life.

A painting of a person holding many flowers in front of three kneeling people.
A painting of a person holding many flowers in front of three kneeling people.

Diego Rivera, Flower Festival: Feast of Santa Anita, 1931. Encaustic on canvas, 78 1/2 × 64 in. (199.3 × 162.5 cm). The Museum of Modern Art, New York; gift of Abby Aldrich Rockefeller, 1936. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, New York

Diego Rivera, Flower Festival: Feast of Santa Anita, 1931

A painting depicting a man with a black hat and a mustache.
A painting depicting a man with a black hat and a mustache.

David Alfaro Siqueiros, Zapata, 1931. Oil on canvas, 53 1/4 × 41 5/8 in. (135.2 × 105.7 cm). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC; gift of Joseph H. Hirshhorn, 1966 66.4605 © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Photo by Lee Stalsworth

David Alfaro Siqueiros, Zapata, 1931

A painting of multiple men in hand-to-hand combat.
A painting of multiple men in hand-to-hand combat.

José Clemente Orozco, Barricade, 1931. Oil on canvas, 55 × 45 in. (139.7 × 114.3 cm). The Museum of Modern Art, New York; given anonymously, 1937. © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

José Clemente Orozco, Barricade, 1931

A painting of a woman with parents on her shoulders and in her arms.
A painting of a woman with parents on her shoulders and in her arms.

Frida Kahlo, Me and My Parrots, 1941. Oil on canvas, 32 5/16 × 24 3/4 in. (82 × 62.8 cm). Private collection. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York

Frida Kahlo, Me and My Parrots, 1941

A photo from above of a crowd of people all wearing hats.
A photo from above of a crowd of people all wearing hats.

Tina Modotti, Workers’ Parade, 1926. Platinum or palladium print, 8 1/2 × 7 1/2 in. (21.6 × 19.1 cm). Collection of David Dechman and Michel Mercure. Photograph courtesy Sotheby’s, 2014

Tina Modotti, Workers’ Parade, 1926

Painting of a woman with a basket of calla lilies
Painting of a woman with a basket of calla lilies

Alfredo Ramos Martínez, Calla Lily Vendor, 1929. Oil on canvas, 45 13/16 × 36 in. (116.3 × 91.4 cm). Private collection. © The Alfredo Ramos Martínez Research Project, reproduced by permission

Alfredo Ramos Martínez, Calla Lily Vendor (Vendedora de Alcatraces), 1929


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