I, YOU, WE

Exhibition works

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  Tina Barney, The Landscape, 1988. Chromogenic print, 45 3/8 × 58 3/8 in. (115.3 × 148.3 cm). Edition no. 1/10. Whitney Museum of American Art, New York; gift of Anne and Joel Ehrenkranz  93.11

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  Lorna Simpson, Counting, 1991. Photogravure and screenprint: 73 3/4 × 37 7/8 in. (187.3 × 96.2 cm). Edition no. 60/60. Whitney Museum of American Art, New York; purchase with funds from the Print Committee  93.94

  © Lorna Simpson

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  David Wojnarowicz, Untitled (One day this kid . . .), 1990. Photostat, 30 × 40 1/8 in. (76.2 × 101.9 cm). Edition of 10. Whitney Museum of American Art, New York; purchase with funds from the Print Committee 2002.183. Courtesy The Estate of David Wojnarowicz and P.P.O.W Gallery, New York, NY

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  Richard Avedon, Bill Curry, drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980, from In the American West, 1979–84. Gelatin silver print mounted on aluminum, 47 × 37 9/16 in. (119.4 × 95.4 cm). Edition no. 3/5. Whitney Museum of American Art, New York; gift of Norma and Martin Stevens  98.24

  © 2009 The Richard Avedon Foundation

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  Jean-Michel Basquiat, Hollywood Africans, 1983. Acrylic and oil stick on canvas, 84 1/16 x 84 in. (213.5 x 213.4 cm). Gift of Douglas S. Cramer 84.23. © 2015 The Estate of Jean-Michel Basquiat/ ADAGP, Paris/Artists Rights Society (ARS), New York

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  John Currin, Skinny Woman, 1992. Oil on linen, 50 1/8 × 38 1/16 in. (127.3 × 96.7 cm). Whitney Museum of American Art, New York; purchase with funds from The List Purchase Fund and the Painting and Sculpture Committee  92.30 © Photograph courtesy Gagosian Gallery. Photography by Geoffrey Clements

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  Eric Fischl, A Visit To / A Visit From / The Island, 1983. Oil on canvas, 84 × 168in. (213.4 × 426.7 cm). Whitney Museum of American Art, New York; Purchase, with funds from the Louis and Bessie Adler Foundation, Inc., Seymour M. Klein, President 83.17a b

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  Robert Gober, Untitled, 1992–96. Photolithograph, 22 7/16 × 13 9/16 in. (57 × 34.5 cm). Edition no. 4/40. Whitney Museum of American Art, New York; purchase with funds from the Print Committee  97.5

  © Robert Gober 1992-1996

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  Nan Goldin, The Ballad of Sexual Dependency, 1979–96 (detail). Nine-carousel projection with approximately 700 slides, soundtrack, and titles, dimensions variable. Edition no. 1/10. Whitney Museum of American Art, New York; purchase with funds from The Charles Engelhard Foundation, the Mrs. Percy Uris Bequest, the Painting and Sculpture Committee, and the Photography Committee  92.127

  © Nan Goldin

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  Felix Gonzalez-Torres, Untitled [Billboard Poster], 1989. Photo-screenprint, 16 5/8 × 21 5/8 in. (42.2 × 54.9 cm). Published by the Public Art Fund Inc., New York. Edition no. 28/250. Whitney Museum of American Art, New York; gift of Thea Westreich and Ethan Wagner  2005.138

  © The Felix Gonzalez-Torres Foundation

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  Glenn Ligon, Untitled (I Do Not Always Feel Colored), 1990. Oil stick and gesso on panel, 80 × 30 1/16 × 1 1/2 in. (203.2 × 76.4 × 3.8 cm). Whitney Museum of American Art, New York; gift of The Bohen Foundation in honor of Thomas N. Armstrong <span class="caps">III  2001.275  

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  Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984. Gelatin silver print, 15 1/8 × 15 3/16 in. (38.4 × 38.6 cm). AP 1/2 AP. Whitney Museum of American Art, New York; gift of The Robert Mapplethorpe Foundation Inc.  97.103.3

  © The Robert Mapplethorpe Foundation Inc

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  Mary Ellen Mark, The Damm Family in Their Car, Los Angeles, California, 1987. Gelatin silver print, 14 9/16 × 14 3/4 in. (37 × 37.5 cm). Edition no. 12/75. Whitney Museum of American Art, New York; purchase with funds from Raymond W. Merritt  2001.162  

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  Shirin Neshat, Unveiling, 1993, from the series Women of Allah. Gelatin silver print and ink, 59 3/4 × 39 3/4 in. (151.8 × 101 cm). Whitney Museum of American Art, New York; purchase with funds from the Photography Committee  2000.267

  © Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels

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  Catherine Opie (b. 1961), Self-Portrait/Cutting, 1993. Courtesy Regen Projects, Los Angeles

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  Kiki Smith, Untitled, 1986. Twelve clear glass bottles, 20 × 10 1/2 × 10 1/2 in. (50.8 × 26.7 × 26.7 cm) each. Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Leonard A. Lauder, President, in honor of David W. Kiehl  2006.78a-l  

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  Martin Wong, Big Heat, 1988. Synthetic polymer on canvas, 60 1/8 × 48 in. (152.7 × 121.9 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 99.89. © Estate of Martin Wong; courtesy The Estate of Martin Wong and P.P.O.W. Gallery, New York, NY

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  John Coplans (1920–2003), Self-Portrait (Interlocking Fingers, No. 18), 2000. Gelatin silver print mounted on board, 31 1/8 x 24 in. (79.1 x 61 cm). Whitney Museum of American Art, New York; purchase with funds from Ann and Steven Ames  2000.98. © The John Coplans Trust, Beacon, N.Y.

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  Ruth Ellen Weisberg (b. 1942), Passage, 1985. Lithograph, 36 1/4 × 29 11/16in. (92.1 × 75.4 cm). Whitney Museum of American Art, New York; gift of Gary M. and Brenda H. Ruttenberg 94.200

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  Karen Kilimnik, CK, 1993. Wax crayon and synthetic polymer on paper, 35 1/8 × 22 7/16 in. (89.2 × 57 cm). Whitney Museum of American Art, New York; gift of The Bohen Foundation  95.31  On view