Whitney Biennial 2022: 
Quiet as It’s Kept

Apr 6–Oct 16, 2022


All

60 / 63

Previous Next

WangShui

60

Floor 6

Born 1986 in USA
Lives in New York, NY

WangShui is invested in posthuman consciousness, which they conceive of as a re-entanglement among animals, environments, humans, and machines. The LED sculptures and aluminum paintings presented here were co-authored by the artist and AI (artificial intelligence) programs. The content displayed on the LEDs is produced with customized GANs (generative adversarial networks), a form of machine learning where neural networks are “trained” to generate imagery from existing information. For the paintings, the artist and AI programs participate in a feedback loop of gestures, forms, and colors. From each individual LED pixel to the aluminum panels and ceiling structure, the installation is composed of what WangShui has described as “interdependent modular particles.”

Hyaline Seed (Isle of Vitr∴ous), 2022

Iridescent vertical, organic lines
Iridescent vertical, organic lines

WangShui, Hyaline Seed (Isle of Vitr∴ous), 2022. Oil on aluminum panel, 120 × 120 × 12 in. (304.8 × 304.8 × 30.5 cm). Collection of the artist; courtesy the artist and High Art, Paris. Photo by Alon Koppel


Explore works from this exhibition
in the Whitney's collection

View 35 works

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.