Whitney Biennial 2022: 
Quiet as It’s Kept

Apr 6–Oct 16, 2022


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Harold Ancart

2

Floor 5

Born 1980 in Brussels, Belgium
Lives in New York, NY

When making paintings, Harold Ancart approaches his work as a draftsman. He has said: “Drawing has to do with potential. It is always a first step in materialization, an idea that’s going to lead to something else. Drawing is always a promise for something to come.” This idea of promise begins with the image Ancart chooses to realize, including fire, flowers, and the horizon, among others. Before screens, the artist has observed, these were the points of human fixation, where people directed their time and attention. Ancart deploys these subjects to bring viewers in and encourage them to look longer at each painting, making their own meanings.

The Guiding Light, 2021

A blue-green night sky reflecting a white moon on a vast blue-green body of water with three yellow lights in the distance to the left, also reflecting on the water.
A blue-green night sky reflecting a white moon on a vast blue-green body of water with three yellow lights in the distance to the left, also reflecting on the water.

Harold Ancart, The Guiding Light, 2021. Oil stick and graphite pencil on canvas, artist’s frame, 99 1/2 × 137 1/2 in. (252.7 × 349.3 cm). Collection of the artist; image courtesy the artist; David Zwirner, New York, London, Paris, and Hong Kong; and Clearing, New York and Brussels


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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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