Whitney Biennial 2022: 
Quiet as It’s Kept

Apr 6–Oct 16, 2022


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Lucy Raven

47

Floor 5

Born 1977 in Tucson, AZ
Lives in New York, NY

Lucy Raven’s Demolition of a Wall (Album 1) is the second moving-image installation in her trilogy of “Westerns.” In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that—while still dramatic in its natural beauty—has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the U.S. Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. Drawing on film technologies designed for scientific analysis, she turns away from the Hollywood need for a climax, instead presenting the shocks as subjects in themselves. 

Still from Demolition of a Wall (Album 1), 2022

A desert landscape with a blue sky, mountains in the background, and a prominent shadow cast across the foreground.
A desert landscape with a blue sky, mountains in the background, and a prominent shadow cast across the foreground.

Lucy Raven, still from Demolition of a Wall (Album 1), 2022. Video, color, quadrophonic sound, looped; 20:58 min., wood and aluminum screen, and aluminum seating structure. Courtesy Lisson Gallery, London, New York, and Shanghai. © Lucy Raven


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