Whitney Biennial 2017

Mar 17–June 11, 2017


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Aaron Flint Jamison

24

Floor 4

Born 1979 in Billings, MT
Lives in Portland, OR and Seattle, WA

With his Footer/Content Chassis/This Pull Request, Aaron Flint Jamison invites Whitney visitors into a space reserved for employees: a conference room visible but usually inaccessible from the Museum’s central staircase. In its unused utility closet, Jamison has installed a Dell computer (purchased on eBay) identical to one that he found in this location during a site visit. The first computer, which lacked a power cord, monitor, keyboard, and mouse, appealed to the artist as “a redundant institutional object.” 

In his installation, Jamison’s own minitower runs a custom application written in a language called Python on the Ubuntu Server operating system. Throughout the Biennial, Whitney employees can opt to use the program, which will insert a “footer” into every email sent from participating users in the whitney.org domain. This footer makes visible information typically hidden in “headers,” including the recipient’s geographic location, every location in which an email has been opened in the past, and any times when emails have been read by someone other than the intended recipients.

Footer/Content Chassis/This Pull Request, 2017

Two rectangular metal boxes containing wooden sheets, mounted on the wall of a conference room
Two rectangular metal boxes containing wooden sheets, mounted on the wall of a conference room

Aaron Flint Jamison (b. 1979), installation view of Footer/Content Chassis/This Pull Request, 2017. Dell computer, server, custom computer application, email disclaimer, artist book (added to daily from an edition of 80), cedar, purple heart, aluminum, and nylon, dimensions variable. Collection of the artist; courtesy Miguel Abreu Gallery, New York and Air de Paris, Paris. Photograph by Bill Orcutt


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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

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