Whitney Biennial 2017 | Art & Artists

Floor 5

(Raven Chacon, Cristóbal Martínez, and Kade L. Twist)
Founded 2007

A Very Long Line, a video installation by Postcommodity, focuses on the border between the United States and Mexico, an emotionally and politically charged site that has become even more contentious through the 2016 election and the beginning of the current presidential administration.

The installation is designed to disorient, with spinning video projections and out-of-sync audio evoking “genesis amnesia,” or the condition of forgetting one’s own origins. In this case, what has been forgotten—primarily by citizens of the United States—is the Indigenous status of peoples from the Western Hemisphere, including immigrants from Mexico and Guatemala. Forgotten, too, are the Indigenous trade and migration routes that have crisscrossed what is now the border since before European colonization. Filmed from the window of a car, A Very Long Line brings those routes into the dizzying present, one in which the border is never fully known or understood.