Whitney Biennial 2017

Floor 5

Born 1973 in Ann Arbor, MI
Lives in Los Angeles, CA

Samara Golden addresses the idea of psychological space through disassembled interior architecture, often creating illusions with reflective surfaces and upended objects and rooms. Her site-specific installation for the 2017 Biennial adjoins the Museum’s formidable west-facing windows on the fifth floor. Golden’s work incorporates these windows as well as the river and sky beyond, with mirrors placed on the ceiling and floor creating an infinite visual abyss. The structure is stratified, both spatially and socially. Using handmade sculptures of furniture and other everyday objects, she creates a series of environments seemingly in conflict with each other: a penthouse apartment, an image of aspirational wealth; a middle-class home full of art projects and plants; a drab, cluttered office; and an institutional space that the artist describes as part hospital, part prison. Viewed from an elevated platform, the installation has a disorienting effect, evoking the anxiety produced by a political climate rife with social and economic inequality.