Programmed: Rules, Codes, and Choreographies in Art, 1965–2018

Sept 28, 2018–Apr 14, 2019


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Rule, Instruction, Algorithm:
Generative Measures

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“Generative art” is defined as any art practice in which the artist hands over control to a system that can function autonomously and that contributes to or creates a work of art. These systems range from natural language instructions and mathematical operations to computer programs and biological processes. While artworks with generative qualities appear throughout the exhibition, works by Ian Cheng, Alex Dodge, and Cheyney Thompson underscore their own process of coming into being or emergence. This emphasis allows us to see an artwork as an open process, where algorithms enable variations in form. Whether using code or chat bots—computer programs designed to simulate conversation with human users—each of these works invites us to rethink authorship, materiality, communication, and meaning.

Ian Cheng, Baby feat. Ikaria, 2013

In Baby feat. Ikaria, Ian Cheng’s software enables an audible conversation between three online chatbots whose voices animate a swirl of debris. Via Wi-Fi, the software queries three different customized chatbots from an online service so that they “talk” to each other. The debris exhibits a behavioral pattern, repeatedly coalescing and then disintegrating, sometimes appearing as an active agent, at other times as inert material, and often as an ambiguous hybrid. While the chatbots are programmed to have basic learning abilities and can continuously expand their dialogue, the “intelligence” of the bots is questionable. The visuals and behaviors of the floating debris capture an artificial intelligence that is lifelike yet mechanistic, reflecting the mix of nonhuman and human conversations that increasingly permeates our lives.


Artists


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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

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