Grant Wood: American Gothic and Other Fables

Mar 2–June 10, 2018


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Early Landscapes and Narrative Paintings

7

In his early landscapes, Grant Wood recast the farmscape of his childhood into an Arcadian fantasy of undulating, swollen shapes and decorative embellishments whose multiple focal points keep the viewer’s eye in constant motion by giving all parts of the composition equal weight. His landscapes do not depict Midwestern farm life in the 1930s. Instead, they portray his idealized memories of the 1890s farm in Anamosa, Iowa, where he lived as a young boy before moving to Cedar Rapids with his family following the death of his father. His desire was not so much to portray a world that was becoming extinct as to recover a mythical childhood that existed only in his imagination.

The Midnight Ride of Paul Revere, 1931

Painting of Boston with Paul Revere riding on horseback through streets.
Painting of Boston with Paul Revere riding on horseback through streets.

Grant Wood (1891–1942), The Midnight Ride of Paul Revere, 1931. Oil on composition board, 30 x 40 in. (76.2 x 101.6 cm). The Metropolitan Museum of Art, New York; Arthur Hoppock Hearn Fund, 1950. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Image © The Metropolitan Museum of Art, New York; courtesy Art Resource, NY



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