Grant Wood: American Gothic and Other Fables | Art & Artists

Mar 2–June 10, 2018


Exhibition works

8 total
Murals
Read more

Murals


Three panel painting of men in various agricultural scenes.
Three panel painting of men in various agricultural scenes.

Grant Wood (1891–1942), Study for Agricultural Science Mural, 1934. Oil on composition board, 32 3⁄4 x 47 3⁄4 in. (83.2 x 121.3 cm). Cedar Rapids Museum of Art, Iowa; museum purchase, Mrs. G. F. Van Vechten Fund and gift of Peter M. Turner in memory of David Turner III 90.7. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Murals

Grant Wood created his first mural in his mature, hard-edge style in 1932 to decorate the coffee shop of the Hotel Montrose in Cedar Rapids. Called Fruits of Iowa, the mural consisted of seven panels depicting a farm, a fruit basket, and members of a plump, ruddy-cheeked farm family. A year later, Iowa State University in Ames commissioned him to make murals for its library under the auspices of the Public Works of Art Project (PWAP), the federal government’s Depression-era relief program for artists established in December 1933. Wood chose as his theme a quotation from Daniel Webster’s 1840 remarks on agriculture: “When tillage begins, other arts follow.” His concurrent appointment as state director of the PWAP for Iowa limited his role to designing two murals for the university and supervising their execution by other artists. The first mural to be completed, devoted to agriculture, engineering, and homemaking, was installed at the top of the stairwell leading into the library in 1934; the second mural, showing a pioneer farmer plowing a field, was installed in the library’s lobby in 1937. 

Painting of a boy milking a cow.
Painting of a boy milking a cow.

Grant Wood, Boy Milking Cow, 1932. Oil on canvas, cut out and mounted on fiberboard, 71 1⁄4 x 63 1⁄4 in. (181 x 160.7 cm) framed. Coe College, Permanent Art Collection, Cedar Rapids, Iowa; gift of the Eugene C. Eppley Foundation. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Photograph by Mark Tade, 2005

Boy Milking Cow, 1932

Farmer with pigs and corn.
Farmer with pigs and corn.

Grant Wood (1891–1942), Farmer with Pigs and Corn, 1932. Oil on canvas, cut out and mounted on fiberboard, 75 3⁄4 x 52 3⁄4 in. (191.4 x 134 cm) framed. Coe College, Permanent Art Collection, Cedar Rapids, Iowa; gift of the Eugene C. Eppley Foundation. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY. Photograph by Mark Tade, 2005

Farmer with Pigs and Corn, 1932

Painting of threshers dining and wives serving them.
Painting of threshers dining and wives serving them.

Grant Wood, Dinner for Threshers, 1934. Oil on board, 20 x 80 in. (50.8 x 203.2 cm). Fine Arts Museums of San Francisco; gift of Mr. and Mrs. John D. Rockefeller 3rd 1979.7.105. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Dinner for Threshers, 1934

Buoyed by the patronage of public art under the administration of President Franklin Delano Roosevelt, Wood created this composition in the hope of generating a mural commission. The commission never came but this painting and its studies were exhibited widely. Due to Wood’s meticulous, hyperrealistic style, many viewers responded to the painting as if it were a mirror of reality, writing letters questioning its accuracy. Wood countered by defending the composition as coming from his own memories of threshing season and questioning why viewers would allow him to bisect the house in a cutaway design but quibble about such details as the position of the shadows under the chickens, the dishes being in the cupboard rather than on the table, the open screen door, and the uniformity of the chairs.

Three panel painting of men in various agricultural scenes.
Three panel painting of men in various agricultural scenes.

Grant Wood (1891–1942), Study for Agricultural Science Mural, 1934. Oil on composition board, 32 3⁄4 x 47 3⁄4 in. (83.2 x 121.3 cm). Cedar Rapids Museum of Art, Iowa; museum purchase, Mrs. G. F. Van Vechten Fund and gift of Peter M. Turner in memory of David Turner III 90.7. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Study for Agricultural Science Mural, 1934

Drawing of two men breaking prairie, another stands holding the reigns of a horse and speaking to a woman.
Drawing of two men breaking prairie, another stands holding the reigns of a horse and speaking to a woman.

Grant Wood, Study for Breaking the Prairie, 1935–39. Colored pencil, chalk, and graphite pencil on paper, 22 3/4 x 80 1/4 in. (57.8 x 203.8 cm). Whitney Museum of American Art, New York; gift of Mr. and Mrs. George D. Stoddard 81.33.2a–c. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY

Study for Breaking the Prairie, 1935–39



Explore works from this exhibition
in the Whitney's collection

View 5 works

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.