Not on view
Date
1979
Classification
Drawings
Medium
Fiber-tipped pen on paper
Dimensions
Sheet: 14 × 11in. (35.6 × 27.9 cm)
Accession number
2009.156
Series
Dance
Credit line
Whitney Museum of American Art, New York; gift of the artist
Rights and reproductions
© Lucinda Childs
Installation photography
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014; Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Rafaël Rozendaal, Abstract Browsing 17 03 05 (Google), 2017; Casey Reas, {Software} Structure #003 A, 2004 and 2016; Casey Reas, {Software} Structure #003 B, 2004 and 2016. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014; Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Rafaël Rozendaal, Abstract Browsing 17 03 05 (Google), 2017; Casey Reas, {Software} Structure #003 A, 2004 and 2016; Casey Reas, {Software} Structure #003 B, 2004 and 2016. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018
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Installation view of Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 (Whitney Museum of American Art, New York, September 28, 2018–April 14, 2019). From left to right: Sol LeWitt and Lucinda Childs, Dance #4, 1979; Casey Reas, Sol LeWitt Wall Drawing #358, 2004 and 2016; Lucinda Childs, Philip Glass, and Sol LeWitt, Dance, 1979 and 2014. On floor, left to right: Lucinda Childs, Dance #1, 1979; Lucinda Childs, Dance #2, 1979; Lucinda Childs, Dance #3, 1979; Lucinda Childs, Dance #4, 1979; Lucinda Childs, Dance #5, 1979. Photograph by Ron Amstutz
From the exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018