Mel Bochner
1940–2025
Mel Bochner has made conceptually and perceptually driven paintings, sculptures, drawings, photographs, and installations since the mid-1960s, often plumbing the relationships between language, space, objects, and color. He is credited with having kickstarted the Conceptual art movement in a 1966 exhibition for which he photocopied working drawings and other paper materials solicited from artist friends, placed the identically reproduced items in four black binders, then displayed them on pedestals in a gallery. In the late 1960s Bochner began to make site- specific projects consisting of ruled measurements in paint or tape and transfer- type numbers applied directly to gallery walls, turning these seemingly neutral spaces into life-sized diagrams of themselves. Such works challenge conventional notions of abstract thought and perception, testing Bochner’s assertion that “outside the spoken word, no thought can exist without a sustaining support.” He underscores this thesis in works that invert the representational system of photography. Rather than “using [photography] to look at something,” Bochner demonstrates how the medium is itself “something to look at”—an object.
For Transparent and Opaque, Bochner hired a professional photographer to produce images of petroleum jelly and shaving cream, differing substances that might illustrate the terms of his title. He stroked or squirted the materials onto glass plates and then had them photographed under various brightly colored lights, in some instances staining the substances with red iodine. The twelve prints confound the relative transparency or opacity of the materials—the semiclear petroleum jelly, for example, casts shadows and reflections that impede its translucence— and suggest how these opposed qualities can be simultaneously present. They also draw attention to the transformative qualities of light and color, pairing images of petroleum jelly lit with pink-toned lights and shaving cream mixed with iodine to create a pink froth. As a result, Bochner challenges the traditional presumption that the camera’s “transparent” system precisely mimics the world as seen by the human eye.
Introduction
Melvin Simon Bochner (August 23, 1940 – February 12, 2025) was an American conceptual artist. He is considered to be one of the founders of Conceptual Art, and credited with reshaping the canon of contemporary art. Bochner's 1966 exhibition, “Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art,” is cited as one of the first conceptual art exhibitions in the world.
Wikidata identifier
Q1485390
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License . Accessed April 30, 2025.
Introduction
Bochner's artwork prioritizes language, serial systems, and conceptual ideas over the physical object.
Country of birth
United States
Roles
Artist, conceptual artist, painter, sculptor, writer
ULAN identifier
500032444
Names
Mel Bochner, Melvin Simon Bochner
Information from the Getty Research Institute's Union List of Artist Names ® (ULAN), made available under the ODC Attribution License. Accessed April 30, 2025.
