“Untitled” (America) | Art & Artists


All

24 / 24

Previous Next

Zilia Sánchez, Eros, 1976/1998

24

With its titular reference to the Greek god of love and desire as well as its painted curving lines, muted palette, and protruding forms, Zilia Sánchez’s Eros invites an intimate experience with the canvas. Rejecting the rigid formalism of modernist abstraction, Sanchez took a personal and feminist approach to her work by merging the clean lines of hard-edge painting with an evocation of the body and human connection. She inscribed the edges of this canvas with the words "Soy Isla" [I Am an Island], a phrase she sometimes used as an assertion of her artistic independence as well as a reference to her Cuban heritage and longtime home of Puerto Rico.

Zilia Sánchez, Eros, 1976/1998

Large abstract painting with soft colors hangs on a white wall; string lights are placed near a window.
Large abstract painting with soft colors hangs on a white wall; string lights are placed near a window.

Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: Zilia Sánchez, Eros, 1976/1998; Feliz Gonzalez-Torres, “Untitled” (America), 1994. Photograph by Ron Amstutz

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.