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Kay WalkingStick, April Contemplating May, 1972

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Inspired by the sight of her shadow on a beach, Kay WalkingStick made a series of paintings featuring colorful silhouette portraits that allude to her multiple identities as an artist, a woman, a mother, and an Indigenous person of Cherokee ancestry. April Contemplating May portrays the artist in repose, fully nude, while a second figure, suggested only by the outstretched feet, shares this space of tranquility and sexual liberation. What appears to be a window is rather a reproduction of one of the artist’s landscape paintings: a stylized depiction of clouds made in response to reports of air pollution. The neon, acid hues in the work not only convey sensual euphoria but also hint at environmental catastrophe.

Kay WalkingStick, April Contemplating May, 1972

An orange figure sitting in a field of green and blue.
An orange figure sitting in a field of green and blue.

Kay WalkingStick, April Contemplating May, 1972. Acrylic on canvas, 49 7/8 × 49 7/8 in. (126.7 × 126.7 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 2018.138. © Kay WalkingStick. Courtesy of the artist and the June Kelly Gallery

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