“Untitled” (America) | Art & Artists


All

17 / 24

Previous Next

Marisol, Diptych, 1971

17

Diptych is a self-portrait in which Marisol used her own body directly in the printing process. Her method was inspired by the nineteenth-century Japanese tradition of gyotaku, a process in which fish were inked and pressed onto paper to record prized catches. She also experimented with the materials of lithography, a printing technique in which an image is drawn on a flat stone using a greasy crayon. Here Marisol oiled her naked body and pressed it onto two lithographic stones resulting in two prints. She embellished these with a lithographic crayon, evoking physical presence rather than documenting it literally. An extra set of feet appears on the lower sheet, likely created when Marisol lifted herself off the stone.

Marisol, Diptych, 1971

Art gallery room with several modern paintings on white walls and a wooden bench in the center.
Art gallery room with several modern paintings on white walls and a wooden bench in the center.

Installation view of “Untitled” (America) (Whitney Museum of American Art, New York, July 5, 2025-). From left to right: Yayoi Kusama, Air Mail Stickers, 1962; Marisol, Diptych, 1971; Chryssa, Newspaper Page, Sock Advertisement, 1959–62; Jasper Johns, Racing Thoughts, 1983. Photograph by Ron Amstutz

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.