“Untitled” (America) | Art & Artists

To Italian-born Joseph Stella, who immigrated to New York at the age of nineteen, New York City was a nexus of frenetic, form-shattering power. In the engineering marvel of the Brooklyn Bridge, which he first depicted in 1918 and returned to throughout his career, he found a contemporary technological monument that embodied the modern human spirit. In this painting, Stella portrays the bridge with a linear dynamism borrowed from Italian Futurism. He captures the dizzying height and awesome scale of the bridge from a series of fractured perspectives, combining dramatic views of radiating cables, stone masonry, cityscapes, and night sky. The large scale of the work—it is nearly six feet tall—conjures a Renaissance altar, while the Gothic style of the massive pointed arches evokes medieval churches. By combining contemporary architecture and historical allusions, Stella transformed the Brooklyn Bridge into a twentieth-century symbol of divinity, the quintessence of modern life and the Machine Age.