Shifting Landscapes

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Another World

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These works propose an alternative geography where humans, animals, and nature inhabit one another. Mundo Meza’s painting of a brawny merman reclining on a mandolin and rafa esparza’s portrait of himself embedded in the land exemplify how some artists are attempting to decenter an anthropocentric worldview by rejecting any traces of an identifiable landscape that could point to a particular nationalist agenda, cultural context, or even heteronormative conception of humanity. In other artworks, such as Dalton Gata’s painting of a blonde character with her mane ablaze, artists include shape-shifting figures that appear in fellowship with their environment. Their works gesture toward ways of resisting hierarchical structures of power that advance new forms of envisioning the future and the beings that populate it.

Dalton GataI
Don't Need You To Be Warm, 2021

A surreal painting of a figure with flowing hair and a furry outfit, set against a stormy landscape, framed in ornate wood.
A surreal painting of a figure with flowing hair and a furry outfit, set against a stormy landscape, framed in ornate wood.

Dalton Gata, I Don't Need You To Be Warm, 2021. Acrylic on linen and cedar frame, 83 × 70 in. (210.8 × 177.8 cm). Whitney Museum of American Art, New York; gift of Avo Samuelian and Hector Manuel Gonzalez 2022.221a-b. © Dalton Gata


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Maya Man, A Realistic Day In My Life Living In New York City

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