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Earthworks

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Earth art and ecofeminism—artistic and philosophical movements of the 1960s and 1970s—proposed new frameworks for how we view and experience our shared planet. While Earth art marked a conceptual turn toward engaging directly with the forms of nature and the land, ecofeminism put forward ideas about appreciating and protecting the environment within anticolonial and feminist perspectives. The works in this gallery represent the roots and legacies of these movements, exploring the interconnectivity of the natural world and humanity’s place within it.

Here artists celebrate nature’s vastness and ephemerality in works that stand as artistic counterpoints to human-centered thinking. Some, including Carlos Villa, Gordon Matta-Clark, and Michelle Stuart, deal directly with natural forms and use organic materials or else the landscape itself in diverse ways. Others, such as Nancy Holt, offer more embodied ways of experiencing the world, while still others, including Carolina Caycedo and Maya Lin, draw attention to regionally specific environmental concerns.

Kunié Sugiura
Tree Trunk 1, 1971

Close-up of a textured, rough beige surface with irregular patterns and cracks.
Close-up of a textured, rough beige surface with irregular patterns and cracks.

Kunié Sugiura, Tree Trunk 1, 1971. Photographic emulsion and acrylic on canvas, 60 3/16 × 84 1/4 in. (152.9 × 214 cm). Whitney Museum of American Art, New York; purchase with funds from the Photography Committee, Sondra Gilman Gonzalez-Falla, andJean Karotkin 2016.92. © Kunié Sugiura


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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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