Fluxfax Portfolio

A black and white artwork featuring two abstract dotted patterns resembling fingers or organic shapes within a bordered frame, signed and numbered by the artist on a white background.

Yoko Ono
Untitled
1995

A scanned image of a New York City Taxi and Limousine Commission Vehicle Operator's License with an expiration date of December 1995. The license displays the name Jeffrey Perkins, along with a license number and a photo of a man. Handwritten notes are visible on the white border around the license, including a signature and a date marked as 11/6/99.

Nam June Paik, Jeffrey Perkins
Untitled (Jeff Perkins' Taxi Driver's License)
1995

A colorful crayon drawing featuring a landscape with three purple mountains in the background, a green grasshopper in the foreground on a field of green grass, and a blue sky with two white clouds and a small sun. The image includes handwritten text at the bottom that reads "Grasshopper 1945 Los Angeles" and a signature with the date "1981 NYC."

La Monte Young
Grasshopper, 1945, Los Angeles
1995

Eric Andersen
Untitled
1994

A black and white print featuring a stylized figure with exaggerated features wearing round glasses and a bow tie, making a playful gesture with hands framing the face. The bottom of the print includes handwritten text "one eye is enough" and a series of colorful scribbles with the artist's signature.

Ay-O
one eye is enough
1994

Black text on a white background reads "PLAY THE VIOLIN IN THE TRAM" with some words in bold and others fragmented. There's a signature at the bottom right and edition numbering at the bottom left.

Giuseppe Chiari
Untitled
1994

$A black and white artistic print featuring a silhouette of a person holding a vacuum cleaner, with the words "dust out of brain" scribbled at the top. Below the image, text reads "Save the nature use FLUXUS" alongside the name "Henning Christiansen" and a series of symbols and numbers, including "1964" upside down and a fraction "1/99" indicating a limited edition.$

Henning Christiansen
Untitled
1994

A spiral of handwritten text in concentric circles on a white background, with the text becoming denser towards the center. The image also includes a signature at the bottom right corner.

Philip Corner
The Eternal Feminine
1994

This image features a black and white poster with a collage-like design, including text and images. The dominant text at the top reads "Willem De Ridder" in bold, large letters. Below, there is a photograph of a man with curly hair and glasses, with the phrase "IK BEN EEN KRANT" (I am a newspaper) superimposed over his image. The poster contains various other snippets of text and smaller images, creating a busy, layered effect. The text is in Dutch, with phrases like "Wie zijn Nek uitsteekt, haalt zich het Leven op de hals" and "ROOFRIDDERS EN LIJFEIGENEN" prominently displayed. The overall design suggests a publication or flyer with a strong personal or political message.

Willem de Ridder
I am a newspaper
1994

A black and white image featuring a handwritten repetition of the phrases "GET RID OF IT" and "EXPOSE TO LIGHT" in a grid-like pattern, with variations in the intensity and clarity of the handwriting. The text appears to be written with a thick, black marker, and there's a signature at the bottom right corner with the date '91.

Jean Dupuy
Get Rid of It/Expose to Light
1994

A printed artwork with red text on a white background titled "The History of Fluxus" by Ken Friedman, dated 1993. The text includes instructions involving a plain wooden table, painting it white, and placing two black shoes on it, one filled with table sugar and the other with sea salt. There is a signature and edition number at the bottom left corner.

Ken Friedman
The History of Fluxus
1994

A black and white print featuring a central oval with a textured background, depicting a top hat on a stand with a spoon in it. Above the oval are two diagonal lines, and below are a crescent moon and a small circle. The text "Every Man His Own Painter" and the name "Geoffrey Hendricks 1984" are inscribed below the image.

Geoffrey Hendricks
Every Man His Own Painter
1994

$This image shows a printed page with a text titled "Manifesto" that appears to be a statement or artistic declaration. The text is partially redacted with black bars, and there are various words and phrases emphasized in bold, such as "Purge," "NON ART REALITY," and "FUSE." A red circular stamp with the word "RECTIFIED" crosses out some of the text, and there are some ink smudges and drips on the right side of the page. The top of the page includes a timestamp, a series of numbers, and the name "JON HENDRICKS P.02." The bottom left corner has a fraction "1/1" handwritten, suggesting this might be a unique print or part of a limited series.$

Jon Hendricks
Untitled
1994

Handwritten and drawn conceptual artwork titled "Graphis 202 for string quartet," featuring a series of intersecting lines and curves with annotations such as "fish," "bird," "wait," and "ball." The piece includes a date and signature at the bottom.

Dick Higgins
Graphis 202 for feline quartet
1994

Graphic artwork featuring a red jagged starburst with the word "CLEANER" in the center, a small image of a smoking cigarette to the left, and a red halftone portrait labeled "GUERRERO" in the bottom right corner. The piece is numbered "11/99" and signed by the artist in the bottom margin.

Allan Kaprow
Untitled
1994

Graphic artwork featuring the phrase "KILL YOURSELF & FLY" in bold, black and red lettering with blue hearts scattered around, on a white background with a signature and edition number "11/99" at the bottom.

Milan Knizak
Kill Yourself & Fly
1994

A graphic artwork featuring a bold blue brushstroke at the top with text below it describing a view of Istanbul from the Golden Horn and a silhouette view of Galatia by night. The text is interspersed with the phrase "SHOES OF YOUR CHOICE" and the year 1994, followed by two signatures at the bottom.

Alison Knowles
Shoes of Your Choice for Fluxfax
1994

A black and white photograph depicting three individuals engaged in conversation. The image is blurry, giving it a candid and spontaneous feel. Handwritten annotations identify the individuals and provide context for the event, indicating it was taken during Ben Vautier's opening night at the Guggenheim Museum in 1972. The photo also includes a handwritten edition number and signature at the bottom.

Shigeko Kubota
Ben Vautier's Opening Night at the Guggenheim, 1972
1994

A business card for Vytautas Landsbergis, labeled as the Leader of the Opposition, with the Seimas of the Republic of Lithuania emblem, including contact information and an address in Vilnius, Lithuania. The card features a green and white color scheme with a signature in green ink.

Vytautas Landsbergis
Untitled
1994

A black and white abstract expressionist print featuring a dense, tangled array of black lines and shapes on a white background. The composition is reminiscent of a chaotic scribble or a nest-like structure. There is a signature at the bottom right corner and a numbering at the bottom left corner indicating its edition.

Jackson Mac Low
Claustrophobic Universe
1994

$A red monochromatic print depicting a person with glasses holding their hands to their face in a thoughtful or contemplative pose. The image has a textured, grainy quality and is surrounded by a white border. In the bottom left corner, there is a fraction "11/99" indicating the print number, and in the bottom right corner, there is a signature followed by the year "1994."$

Jonas Mekas
Untitled
1994