Spilling Over: Painting Color in the 1960s | Art & Artists

Mar 29–Aug 18, 2019


Exhibition works

18 total
Kay WalkingStick
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Kay WalkingStick

April Contemplating May, 1972

An orange figure sitting in a field of green and blue.
An orange figure sitting in a field of green and blue.

Kay WalkingStick, April Contemplating May, 1972. Acrylic on canvas, 49 7/8 × 49 7/8 in. (126.7 × 126.7 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 2018.138. © Kay WalkingStick. Courtesy of the artist and the June Kelly Gallery

Kay WalkingStick
April Contemplating May, 1972

At the center of April Contemplating May is a silhouette, a simplified self-portrait of the artist that emerges from the color blocking and framing her. Inspired by the sight of her shadow on the beach, Kay WalkingStick found a form that she felt could hold her multiple identities, as an artist, a woman, a mother, and an Indigenous person of Cherokee ancestry. Above her, there is a form that resembles a window; it is actually a painted reproduction of her work Pieces of Sky (1970), which she made in response to reports of pollution pouring into the air from a power station in Queens.

An orange figure sitting in a field of green and blue.
An orange figure sitting in a field of green and blue.

Kay WalkingStick, April Contemplating May, 1972. Acrylic on canvas, 49 7/8 × 49 7/8 in. (126.7 × 126.7 cm). Whitney Museum of American Art, New York; purchase with funds from the Painting and Sculpture Committee 2018.138. © Kay WalkingStick. Courtesy of the artist and the June Kelly Gallery

April Contemplating May, 1972


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On the Hour

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Frank WANG Yefeng, The Levitating Perils #2

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