Jaune Quick-to-See Smith: Memory Map | Art & Artists

Apr 19–Aug 13, 2023


Exhibition works

11 total
"My Existence is a Miracle”
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"My Existence is a Miracle”


A figure with a visible skeleton is surrounded by bright shapes, textures, colors, and forms.
A figure with a visible skeleton is surrounded by bright shapes, textures, colors, and forms.

Jaune Quick-to-See Smith, Grasp Tight the Old Ways, 2011. Oil, acrylic, paper, fabric, and charcoal on canvas, 72 x 48 in. (182.9 x 121.9 cm). Sheldon Museum of Art, University of Nebraska-Lincoln; Robert E. Schweser and Fern Beardsley Schweser Acquisition Fund through the University of Nebraska Foundation U-6293.2013. © Jaune Quick-to-See Smith. Photograph courtesy the artist and Garth Greenan Gallery, New York

"My Existence is a Miracle”

Smith often makes a simple but profound observation: “My existence is a miracle.” With this phrase, she recognizes that despite genocide, decades of war, forced assimilation, and systemic oppression, she and other Indigenous survivors are still here to practice and share their culture. Throughout her work, Smith acknowledges that the wisdom of ancestors and elders is not only sacred but essential, and references to matrilineage and matriarchal power recur, often through the image of the cut-wing dress. Plains and Plateau women express their creativity and mark life events with the dress, and Smith uses it to convey the individuality and strength of Indigenous women who lead their families and communities. Densely layered and laden with meaning, Smith’s signs and symbols celebrate the ways in which reclamation of traditions and their continued observance preserve Indigenous cultures for generations yet to come.

News print covered in dark brown paint and the shapes of many faces.
News print covered in dark brown paint and the shapes of many faces.

Jaune Quick-to-See Smith, Worlds within Worlds, 1996. Oil, paper, newspaper, fabric, charcoal, and graphite pencil on canvas, 60 × 50 in. (152.4 × 127 cm). Private collection. © Jaune Quick-to-See Smith. Photograph courtesy the artist and Garth Greenan Gallery, New York

Jaune Quick-to-See Smith, Worlds within Worlds, 1996

Newsprint covered in thick paint in yellow, burnt orange, blues, and greens beneath the outline of a horse and human hands.
Newsprint covered in thick paint in yellow, burnt orange, blues, and greens beneath the outline of a horse and human hands.

Jaune Quick-to-See Smith, Going Forward/Looking Back, 1996. Oil, acrylic, paper, newspaper, and fabric on canvas, two panels: 50 × 120 in. (127 × 304.8 cm) overall. Collection of Garth Greenan and Peter Kelly. © Jaune Quick-to-See Smith. Photograph courtesy the artist and Garth Greenan Gallery, New York

Jaune Quick-to-See Smith, Going Forward/Looking Back, 1996

Thick patches of bright paint in red, green, blue, and yellow over the outline of a buffalo and newspaper.
Thick patches of bright paint in red, green, blue, and yellow over the outline of a buffalo and newspaper.

Jaune Quick-to-See Smith, Genesis, 1993. Oil, paper, newspaper, fabric, and charcoal on canvas, two panels: 60 × 100 in. (152.4 × 254 cm) overall. High Museum of Art, Atlanta; purchase with funds provided by AT&T NEW ART/NEW VISIONS and with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable. © Jaune Quick-to-See Smith. Photograph courtesy the artist and Garth Greenan Gallery, New York

Jaune Quick-to-See Smith, Genesis, 1993

The outline of dress in black over newsprint and streaks and drips of paint in blue and orange.
The outline of dress in black over newsprint and streaks and drips of paint in blue and orange.

Jaune Quick-to-See Smith, Flathead Dress: Women Who Run with the Wolves, 1998. Oil, acrylic, paper, fabric, and newspaper on canvas, 66 1/8 × 48 1/16 in. (168 × 122 cm). Collection of the artist; courtesy Garth Greenan Gallery, New York. © Jaune Quick-to-See Smith

Jaune Quick-to-See Smith, Flathead Dress: Women Who Run with the Wolves, 1998

From within a dress painted in saturated hues of purple and orange emerge crossed arms.
From within a dress painted in saturated hues of purple and orange emerge crossed arms.

Jaune Quick-to-See Smith, Who Leads? Who Follows?, 2004. Oil and acrylic on canvas, 80 × 60 in. (203.2 × 152.4 cm). Albuquerque Museum, New Mexico; gift of the artist PC2013.16.1. © Jaune Quick-to-See Smith

Jaune Quick-to-See Smith, Who Leads? Who Follows?, 2004



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