Henry Taylor: B Side | Art & Artists

Oct 4, 2023–Jan 28, 2024


Exhibition works

7 total
Untitled
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Untitled


A group of black clothed mannequins and a Black Panthers banner above.
A group of black clothed mannequins and a Black Panthers banner above.

Installation view of Henry Taylor: B Side (Whitney Museum of American Art, New York, October 4, 2023-January 28, 2024). From left to right: Untitled, 2022; Huey Newton, 2007. Photograph by Ron Amstutz

Untitled

Taylor created this installation in homage to the Black Panther Party and, in particular, to his brother Randy, who was active in the Party’s branch in Ventura, California. The Black Panthers advocated for self-defense and community empowerment, and established social programs—including free food, clothing distribution, and health clinics—to uplift marginalized communities. By including photographs of individuals recently killed by the police alongside mannequins clothed in both the black berets and leather jackets the Panthers typically wore and more contemporary attire, such as Colin Kaepernick’s San Francisco 49ers jersey, Taylor connects protests against racial injustice from the past and present.

A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.
A Black man wearing a black beret, suit jacket, and slacks sits in a peacock chair. The back of his chair is various shades of grey and features glimpses of newspaper clippings throughout. He holds a spear in his left hand and a rifle in the other. The floor is rust colored with an irregularly shaped zebra print rug. The wall behind him is off-white with rust colored intersecting lines.

Henry Taylor (b. 1958), Huey Newton, 2007. Acrylic and collaged photocopies on canvas, 94 9/16 × 76 1/4 in. (240.2 × 193.7 cm). Whitney Museum of American Art, New York; gift of Martin and Rebecca Eisenberg in honor of Adam D. Weinberg 2016.86. © Henry Taylor

Henry Taylor (b. 1958), Huey Newton, 2007

Taylor based this painting on a 1967 photograph of Black Panther Party cofounder Huey Newton wearing his characteristic black beret and holding a rifle and a spear, symbols of Newton’s call for armed self-defense against racial inequality and oppression. In this portrait, Taylor links Newton’s activism to the ongoing fight for racial justice through collaged fragments of news reports of the 2006 police murder of Sean Bell, whose portrait Homage to a Brother (2007) is also on view.

The shape of a person wearing a t-shirt with the words "SEAN" in gold letters above.
The shape of a person wearing a t-shirt with the words "SEAN" in gold letters above.

Henry Taylor, Homage to a Brother, 2007. Acrylic and collage on linen, 85 1/2 × 78 1/2 in. (217.2 × 199.4 cm). The Studio Museum in Harlem; gift of Martin and Rebecca Eisenberg. © Henry Taylor. Courtesy the artist and Hauser & Wirth. Photograph by Fredrik Nilsen

Henry Taylor, Homage to a Brother, 2007

Homage to a Brother memorializes Sean Bell, a twenty-three-year-old Black man who was killed by plainclothes NYPD officers in Queens, New York, on the eve of his wedding in November 2006. Upon reading of Bell’s death, Taylor was struck by how familiar he seemed, like a son or nephew. During a 2007 residency at the Studio Museum in Harlem, he visited Bell’s neighborhood, where he gathered tokens of communal love and grief for the deceased—including a gold chain and cardboard letters spelling his name—which he then incorporated into this painting. Taylor’s handwritten text includes the words “Sean, I ain’t lying, I’m thinking about you. . . . Really I want to say I didn’t know you but I love you.”


On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

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