Henry Taylor: B Side

Oct 4, 2023–Jan 28, 2024


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Gettin it done

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After graduating from CalArts in 1995, Taylor first moved to downtown Los Angeles, where he nurtured a significant rapport with his neighbors. Taylor's depictions of friends, local personalities, and passers-by are joined by street scenes inspired by his global travels. The result is a gallery of his extended community, which he commemorates in images that capture each subject's humanity and personality.

Henry Taylor, A Different Background, 2010

A close-up portrait of a Black woman adorned in gold and silver jewelry. The background is light grey, with a strip of pale blue on the top of the painting. The words "I DON' LIKE SNO" are written in thin black letters, and the last word appears to be cut off my the woman's head.
A close-up portrait of a Black woman adorned in gold and silver jewelry. The background is light grey, with a strip of pale blue on the top of the painting. The words "I DON' LIKE SNO" are written in thin black letters, and the last word appears to be cut off my the woman's head.

Henry Taylor, A Different Background, 2010. Acrylic and charcoal on canvas, 95 1/2 × 78 1/4 in. (242.6 × 198.8 cm). Collection of Jeremy Kost. © Henry Taylor. Courtesy the artist and Hauser & Wirth. Photograph by Sam Kahn

Likely inspired by Taylor’s trips to Africa, this work is based on a photograph published in a 1999 National Geographic article on African marriage rituals. The painting reflects Taylor’s voracious mining of print media that began in college where he studied journalism and cultural anthropology. “I used to be a journalism major,” Taylor said, “so I have a habit of going through the newspaper—not that I want to get bogged down and get depressed, but because that’s the way I was taught.”


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whitney.org/artport

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