Henry Taylor: B Side

Oct 4, 2023–Jan 28, 2024


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The dress, ain't me

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Taylor is the youngest of eight children in a large extended family whose members—from his mother, father, siblings, aunts, uncles, and cousins to his own three children—appear frequently in his work. Taylor's parents moved from the East Texas cotton town of Naples to Oxnard, California, in 1944, making them among the millions of Black Americans who left the segregated South in search of greater economic opportunities and social freedoms during the post-World War II phase of the Great Migration. Their experiences, and the stories he heard from them growing up, instilled in Taylor a sensitivity to the cultural and political currents affecting Black Americans. As with his other works, Taylor paints his family from memory, in-person sittings, and snapshots.

Henry Taylor, the dress, ain't me, 2011

Two figures standing in a living room. The younger figure wears a pristine white dress and matching white clips in their hair. An older figure stands to the left, with their head tilted downwards, seemingly inspecting the younger figure’s outfit. They are dressed in a long sleeve shift dress which has a muted yellowish-green color.
Two figures standing in a living room. The younger figure wears a pristine white dress and matching white clips in their hair. An older figure stands to the left, with their head tilted downwards, seemingly inspecting the younger figure’s outfit. They are dressed in a long sleeve shift dress which has a muted yellowish-green color.

Henry Taylor, the dress, ain't me, 2011. Acrylic on canvas, 84 1/4 × 72 in. (214 × 182.9 cm). Private collection; courtesy Irena Hochman Fine Art Ltd. © Henry Taylor. Courtesy the artist and Hauser & Wirth. Photograph by Serge Hasenböhler


On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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